All-Tec EQs v2 is a channel EQ plug-in emulating classic passive analog equalizers, adding tube and transformer saturation with three vintage-style filter and EQ modules for full-range shaping.
Purpose and Heritage
All-Tec EQs v2 faithfully recreates the sound of legendary passive analog equalizers from the mid-twentieth century, hardware still prized for its musical character on countless recordings. The plug-in bundles three distinct equalization modules modeled after that classic gear, letting you work with a single cohesive unit rather than juggling separate processors.
Each module can be switched off independently or combined for full-range tone shaping. The new version introduces a rewritten DSP engine and a resizable interface with two visual skins, plus a vintage filter module. An adjustable analog circuit section emulates the complex nonlinear behavior of tubes and transformers, adding a pleasant saturation effect to any signal.
Vintage EQ Modules
The 9067 Filter module provides a pair of high-pass and low-pass filters with an 18 dB per octave slope, offering multiple frequency choices per band or the option to bypass each individually. This vintage-style filter is ideal for cleaning up unwanted rumble or excessive top-end before the main EQ stages.
The 9063 Equalizer targets low and high frequencies using two bands that can be boosted or cut independently. The 9062/73 Graphic Equalizer goes further with seven bands, each adjustable in level, and offers switching between two classic model curves. This flexibility lets you approximate both broad tonal balance and surgical corrective work.
Master Section and Saturation
The PRE-2C module acts as the master section for the whole EQ chain, providing input and output level controls, an analog character amount knob, and a dry/wet mix ratio. Use it to drive the modeled tube and transformer stages harder for harmonic richness or to blend processed and unprocessed signals for parallel-style effects.
The adjustable analog circuit module is key to the v2 sound, replicating the complex saturation behavior of vintage hardware. By feeding the EQ signal through it, you can add subtle warmth or pronounced grit, depending on the drive settings. This makes the plug-in useful not only for equalization but also as a tonal coloration tool across many sources.
Workflow and Applications
In a typical mixing workflow, start with the 9067 filter to remove low-end mud or excessive air, then shape tone with the 9063 or 9062/73 sections. Use the PRE-2C input level to push the analog circuit for saturation, adjust output to match gain, and fine-tune the dry/wet mix for a transparent or characterful result.
The plug-in suits a wide range of applications, from adding vintage weight to drums and bass via the low bands, to softening harsh digital recordings with the high-frequency EQ and tube saturation. Its modular design lets you engage only the stages you need, making it a flexible channel EQ for tracking or mixing. The resizable UI with two skins aids visibility in any session.
Key features
- Three modeled vintage EQ modules: 9067 filter, 9063 two-band, and 9062/73 seven-band graphic
- Adjustable analog circuit module for tube and transformer saturation effects
- Each module can be individually disabled or used simultaneously
- PRE-2C master section with input, output, analog character, and dry/wet controls
- Resizable user interface with two skin options
- Rewritten DSP engine for improved processing
Best for
Best for producers and mix engineers seeking vintage-style passive EQ curves with integrated tube saturation on individual tracks or buses. It shines where gentle analog coloration and flexible modular filtering are desired, such as adding warmth to digital recordings or shaping bass, guitars, and vocals with classic character.