Beat magazine #185 covers soundtrack production and monetization, and includes the MPC Beats DAW, MPC expansions, and Zampler sounds. It offers tutorials, interviews, and software reviews for music producers.
Soundtrack Production and Monetization
This issue’s main feature explains how music producers can enter the film, game, and trailer music markets, which remain active despite broader economic challenges. It covers key considerations for composing music that fits visual media, including mood and intensity adaptation.
The guide also details practical ways to earn income from production music, such as licensing tracks for documentaries, commercials, and YouTube content. It highlights useful tools and platforms where producers can offer their music for licensing, making it a starting point for those new to this field.
Included Software and Expansions
The issue bundles Akai MPC Beats, a free DAW and plugin that functions as a drum sampler, looper, and groovebox. It works standalone or as a VST/AU plugin in other DAWs, and comes with 13 GB of drums, loops, and instruments to inspire creation.
Additionally, the package includes two MPC expansions and the Model 1978 expansion, which adds a virtual Korg MS-20 to Zampler and MPC platforms. In total, the software offers 20 GB of samples, tools, effects, and instruments, aimed at enhancing various music styles.
Mixing and Production Techniques
A feature on Fundamental Bass by W.A. Production addresses the challenge of mixing acoustic, electric, and synth basses to stand out against drums and other instruments. The plugin combines multiband compression, stereo imaging, tube saturation, and distortion in an intuitive interface for a tighter, punchier low end.
The issue also deconstructs the production style of French duo Kas:st, known for their versatile, emotional techno and ambient music. Their techniques, which are similar to those used in trailer and film scores, are analyzed to help readers apply them to their own productions.
Interviews, Reviews, and Industry Insights
Interviews include a conversation with composers Matthias Wolf and Armin Haas from Dynamedion about creating music for Mortal Kombat X and 11, explaining the unique rules of game music composition. Another interview features Nur Jaber, discussing her journey from Beirut to Berlin and her approach to jazz-influenced production and DJing.
The issue also reviews hardware like the Moog Subsequent 25, Novation Circuit Tracks, and u-he CVilization, plus software including Arturia Pigments 3 and IK Multimedia Total Studio 3 MAX. These reviews offer practical insights into current gear for producers.
Key features
- Focus on soundtrack production and licensing strategies
- Includes MPC Beats DAW and plugin with 13 GB of content
- Two MPC expansions and Model 1978 (Korg MS-20 emulation) included
- Tutorial on mixing bass with Fundamental Bass plugin
- Interviews with game music composers and producers
- Reviews of recent hardware and software
Best for
Producers interested in expanding into film, game, and trailer music, as well as those seeking new tools and techniques for beat-making and mixing. It also suits fans of techno and electronic music looking for production insights and gear guidance.